Happy New Year!

(Oil rig, Qatar; Iraqi tank graveyard; trees amongst karst pillars in Madagascar.)

As another year ends, so does another sample diary. This is something I’ve done for four years now – I get a large diary with a picture per week and then each week I make a little textile sample inspired by the picture and stick it in. They don’t all work, but it makes a lovely bulgy book to look back through.

(Indian marble quarry; boats in Nile clogged with water hyacinths.)

I started with a cheap leftover Rothko diary – quite a challenge. The following year it was Van Gogh – more variety. Painters worked well, plus I must surely have learned a bit about their art along the way? Then I did an Earth From the Air diary of aerial photos, which was much more difficult at first, but in the end I loved it so much I went on to do another one this year.

I don’t do this for anyone else to see, but I’ve scanned a few examples here just to show what I’m on about. And maybe spread the idea?

(Shadows of camel caravan, Niger desert; the Eye of the Maldives.)

I don’t want to copy the pictures – all I aim for is a little sample inspired or suggested by the picture (or sometimes the accompanying words), using whatever I’ve got to hand. For me it’s a valuable exercise in quickly responding, completing and moving on – not endlessly reworking in search of perfection. But it could work with any rules or none, depending on what you need or want to achieve.

It’s also a great chance to have fun with techniques and materials I don’t use much in my everyday work. So as well as machine embroidery, there’s hand stitching, embellisher, appliqué, etc.

(Autumn trees, Quebec; Sao Paulo apartment windows; dugout canoes in Mali.)

The big problem now is, I can’t find any diary that appeals for 2011. But I can't stop, this is addictive. Going to have to do something radical. I’ve decided to take a picture from the newspaper each week instead… hmm, could be a challenge too far?!

Happy Holidays!

How's that for Christmassy - one of our photos from Antarctica in 2009.
Wishing everyone a lovely relaxing break, whatever you're doing.

Wharfedale Winter Wonderland

Barely an inch of the white stuff, but our view up Wharfedale is magically transformed.

Knitting and Stitching Show

Nothing stops me getting to this show in Harrogate - though the weather had a pretty good try yesterday. I did think about turning round as the world turned white, but reckoned it wouldn't last and luckily I was right. It's mad having the most northerly K&S show at the wintriest time, this is the handiest one for most of the UK yet they leave it til late November when it's either freezing or foggy if not snowing. I bet visitor numbers are down this year, I feel sorry for all the stitchers from Scotland and the NE who won't manage it.

Enjoyed it as usual... well maybe not quite as much as I used to, but after ooh, 18 years or so it's not surprising if it gets a bit samey? One day didn't used to be enough but this time I didn't need to linger long.

I always ask myself, which piece would I take home, if money and space were no object? This time I think one of Clyde Olliver's hand stitched slate "Strip" pieces. Like a curvy spine comprised of graduated slates with simple zigzag hand stitches up the centre. Two of my favourite things, embroidery and geology, combined - irresistible.

In the Graduate Showcase, it was Brenda Parsons' "paper lace" that stood out for me. Handmade paper, machine stitched then washed so it disintegrated into a delicate holey fabric. No colour, just the purity of the creamy paper, in small 3D corsage/sculptural forms as well as huge floaty hangings.
One thing that really struck me was how many of the artists used frames without glass, and often raised the work off the background with hidden blocks underneath. It always seems a shame to shut textiles behind glass, but in my experience most buyers seem to prefer them protected?

As for shopping, it's always the same - so much temptation, gorgeous materials and essentials I can't buy locally, but it's NEXT week I'll realise what I really should have bought. I did get some lovely space dyed perle threads (to use on the machine bobbin), wool roving and bamboo fibres (for the embellisher), things that are hard to choose by mail order. And the new "Stitchscapes" book by Beaney and Littlejohn - packed with gorgeous big colour photos, plus techniques and sizes (yay!) for each piece so you can really understand them.

Overall I'd say inspiring, but not awe-inspiring. Fired up to get on with my own work... until I get stuck for something absolutely vital I could've got so easily at the show!