Weekly Sample Project - History

Yes, I’ve been and gone and done it – started my NINTH year of weekly samples!

Before I tell you about the new one, here’s the rundown of my past projects.

It’s still January, maybe you’d like to start your own?

 

2007 Rothko

 

I bought the only image-per-week diary left in the discount book shop, Rothko paintings.

Each week the sample was inspired by the image and stuck in opposite with notes. The broad bands of colour became textural, patterned, anything! And I became familiar with an artist I knew very little about.     

 

2008 Van Gogh

 

The only other suitable diary in the same series. This one was much more varied and fun. Samples ranged from the pattern of a chair seat in slashed silk to a row of olive trees stitched on soluble.

 

2009 Earth From the Air

 

A photographic diary – tougher than paintings where the artist has already simplified the subject. Great fun when I got the hang of it.

 

2010 Earth From the Air   

 

Another set of wonderful photos to work with.

 

2011 The Guardian

 

I couldn’t find a suitable diary, so decided to pick an image from the newspaper each week. I used news, reviews and even ads. This one was about a flu virus!

Blogged here. 

2012 Underwater Eden, 365 Days

 

Chose one of the seven glorious sea life photos for each week. Excellent subjects for embroidery, including this anemone.

Blogged here. 

2013 John Muir Trust Wild Nature Diary

 

Lovely photos, but more limited subject material.  A bit of a struggle.

Blogged here.

  

2014 Random 5cm squares

See just below! This didn’t really grab me, not challenging enough, but it was a chance to play with some new stitches and old favourites. I mostly kept away from the Bernina.

 

So, I think I understand what I want from this exercise now:

• use the full range of textile techniques I’ve learned over the years
• take inspiration from the images without trying to reproduce them
• be challenged by subjects I wouldn’t normally pick
• practise making a quick response then moving on without trying to perfect it
• just a sample, not a fully realised work of art!

And what I’ve definitely got, is a collection of incredibly varied samples that are fantastic to browse through. Over FOUR HUNDRED and counting.

 

Go on, try it… but I warn you, it’s addictive!

Weekly sample project 2014

Did anyone ever wonder what happened to my 2014 weekly sample project?

Is there now an EIGHTH annual set of 52 samples jostling for space here, or was it abandoned?

And, which of those outcomes would be the biggest achievement for me?!

I’m a little disappointed to confess that once again I just HAD TO complete it.  

But I did manage not to blog about it all year, so here’s the catch up.

The idea was to do absolutely any textile technique as long as the sample fitted on a 5 cm square of card.

 

What did I learn?

• not challenging enough, I could stay in my comfort zone
• too much choice, for a quick weekly exercise I prefer more constraints
• 5 cm is pretty small!

 

Techniques used:

• Hand embroidery (lots – that was nice for a change; tried some new stitches too)
• Machine embroidery (not much, I spend the rest of my time on that) 
• Embellisher (love it but not much scope at this size)
• Crochet (aaah... wish I had more use for this)

 

So, it still makes a nice change from the day job!

And I end up with a great collection of samples to trawl through when I’m looking for inspiration. Now I should really make all those little squares a special box, shouldn’t I…

 

Weekly sample projects – what next?

Wow, I've now completed SEVEN YEARS of weekly samples! Impressive, or worrying? OK, I admit it, I'm addicted. I’ve tried to stop, but I just can’t cope. 

Mostly I've used diaries with an image for each week, and stuck the samples in - Rothko and Van Gogh diaries, and two Earth From the Air. I've also chosen an image from the newspaper each week, or selected from a photo per day book.

They've all been challenging, sometimes very tough to keep going. Great to look back through though, a wonderful resource when I'm feeling stuck.

But now I'm sharing them online, there's an extra problem - I can't/won't show other people's photos without permission, so you can't see what's inspired my samples. And as they’re not works of art in themselves, they become quite meaningless little fragments despite my attempts to explain.         

So I think for 2014 it's going to have to be my own photos... I'm just not sure yet how I'll decide what to photograph, and what format the samples will take - postcards or book or what? It is better with some "rules" - less time wasted agonising over choices and also prising me out of my comfort zone occasionally.

What I have decided though, is that they'll appear on my Facebook page not my blog. I hope the few of you who've followed the project here (thank you!) will join me over at www.facebook.com/AnneHoneymanTextileArt - it's a lot more lively there!
 
Better make my mind up soon, as this week is not only 2013/53 it's also 2014/01…
 

Sample Project 2013 - December

Here it is, the very last instalment of my 2013 sample project! I've been making little textile samples every week inspired by the photos in a John Muir Trust Wild Nature Diary. Usually a pretty quick response, just for fun and variety.

Week 49: Tail of White -Tailed Sea Eagle

(Photo of White Tailed Sea Eagle flying over Skye)

We watched three of these magnificent birds soaring together when we were in Skye ourselves in September! 

Free machined on calico with applied felt, cut away.

 

Week 50: Falling water/aluminium

(Photo of Falls of Foyers, previously used to generate electricity to smelt aluminium)

Free machined lines representing falling water on crumpled aluminium foil (over felt).

 

Week 51: Pine Pollen

(Photo of Scots pine tree in snow)

Couldn't resist doing the pollen rather than the tree, pine pollen is so weird with the little air sacs for wind distribution.

White Lutradur rubbed with blue and grey fabric crayons. Free machined with different shades of blue on top and bobbin. Burned out with soldering iron.

Week 52: Oak leaf on snow

(Photo of golden oak leaf dusted with snow)

Bondaweb leaf shape ironed onto white polyester felt. Gold and copper transfer foil ironed over, lightly. Free machined outline and veins.

Week 53: Limestone pavement in snow

(Photo of limestone pavement near Ingleborough, blanketed in snow)

Small blocks of stitch/weave using white pearl cotton. Painted over with acrylic.